hildespille.wordpress.com Article.
via Diigo http://hildespille.wordpress.com/2013/01/09/4-stages-of-fame-dealing-with-success/?goback=%2Egmp_122380%2Egde_122380_member_211978649
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via Diigo https://www.google.com/search?num=10&hl=en&site=imghp&tbm=isch&source=hp&biw=939&bih=428&q=stickman+walk&oq=stickman+walk&gs_l=img.3..0l6j0i5l2j0i24l2.774.6014.0.7479.13.11.0.0.0.0.695.4283.1j1j1j2j4j2.11.0…0.0…1ac.1.iIYbuZn-fy4
“Steven Ellison called his breakthrough album as Flying Lotus Los Angeles, and his music still has a strong metaphorical connection to the city. He’s an admirer of producers like Dr. Dre, but Ellison’s vision mixes the pulse of contemporary urban life with an extra dose of sci-fi futurism. He has his ear to the ground in terms of what’s happening now and what’s real, but his mind is fixated on what might happen tomorrow– part Boyz n the Hood, part Blade Runner. And since Ellison’s musical palette always circles back to the Eastern-tinged textures that infiltrated jazz when his great aunt Alice Coltrane was helping set the pace (assorted bells, harp plucks, the pings of steel and knock of wood), his music feels cosmic, bound to L.A. as a geographic idea but not necessarily of this earth.”
via Diigo http://pitchfork.com/reviews/albums/17115-until-the-quiet-comes/
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If you are a featured recording artist or a sound recording copyright owner (SRCO), producer or creative contributor, you may have earned digital performance royalties for the use of sound recordings you own or on which you performed. Artists and SRCOs should register with SoundExchange as soon as possible, even if you’re a member of another performance rights organization, as only SoundExchange can provide digital royalties. Registration is fast and always free. Copyright holders and featured artists (generally, the most visible person, in print or image, on the physical package of a recording) are paid through SoundExchange. Session players and back-up musicians are paid from a separate royalty fund. No matter what part you played, click your category below to find out how to get paid.”
via Diigo http://www.soundexchange.com/performer-owner/performer-srco-home/
“Grouper mastermind Liz Harris’ music requires multiple listens for it to take shape. On “Vital,” from The Man Who Died in His Boat (out February 4th on Kranky), her voice is distant as tape hiss fills in the murky cracks. It sounds like she recorded the track in a room so big that her fingers echo endlessly when they scrape across her guitar strings. “Vital” is intimacy blown out and cavernous, haunting and huge; it’s warm, too, as a barely discernible string of words blanket the song before disappearing entirely, giving way to what sounds like a plane flying over in the background.”
via Diigo http://pitchfork.com/reviews/tracks/14693-vital/
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via Diigo http://djmarselluswallace.blogspot.com
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